- #Thats why you use auto tune and i dont software#
- #Thats why you use auto tune and i dont professional#
Nobody else at his table seemed drawn to the idea-they were embarrassed for the singer because they assumed it couldn't be done-so he let it go. Eventually he returned to his passion and began working in signal processing for music.Ī few years into his new career, he was having lunch with a singer who asked if he could make a box that would make her voice in tune. in digital signal processing, a branch of electrical engineering, and worked as a geophysicist for Exxon Mobil for a number of years, using sound waves to search for fossil fuels.
#Thats why you use auto tune and i dont professional#
Hildebrand grew up playing the flute and became a professional studio musician, specializing in symphonic music, by the age of 16. Just as generations of innovators twisted the electric guitar's sound in new ways with all manner of effect pedals, bottle necks, and whammy bars, Auto-Tune's greatest breakthroughs haven't stemmed from a lack of talent, as most people assume, but from tireless trial-and-error innovation and deep engagement with how the technology works.Īuto-Tune was invented by an engineer named Andy Hildebrand in 1996. When Les Paul introduced his solid-body electric guitar, he may not have foreseen what Pete Townsend or Kurt Cobain would do with it. It was originally created as little more than a simple improvement on existing technology. It hasn't made hip-hop less authentic, but it has reshaped what authenticity in the genre means.Īlso like the electric guitar, Auto-Tune was never intended to cause a musical revolution. By giving hip-hop artists who aren't traditional singing talents a tool for making their music more melodic, Since T-Pain's 2005 debut album Auto-Tune has brought a mulititude of new voices into the realm of popular music and pushed hip-hop's most daring artists to try exciting new things-both intrinsic principles of the genre.
#Thats why you use auto tune and i dont software#
Not only do these reductive takes on the technology ignore the different ways pitch correction software can be used, they also ignore all the innovation it has enabled. Headlines like “10 Auto-Tune Songs That Don't Suck” are not uncommon, or questions like “What happens when an entire industry decides it’s safer to bet on the robot?” With an impossible-to-deny reputation for enabling bad singing, Auto-Tune has come to stand for many related evils: the lack of talent in pop music, the lack of quality in pop music, the homogenization of pop music, hip-hop's rejection of authenticity in favor of pop, and the general decline of American culture. When Auto-Tune is defended, it's usually in a backhanded way, with the assumption that digital pitch correction is inherently shitty. "They will never try to be good, because yeah, you can do it just on the computer." "Otherwise, musicians of tomorrow will never practice," bassist Nick Harmer told MTV News at the time.
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